I’ve just stumbled upon a fascinating resource for anyone interested in the history of publishing in Canada. Created at McMaster University, my beloved alma mater, Historical Perspectives on Canadian Publishing is a web-based cornucopia of information, letters, essays, articles, photographs, and audio recordings about publishing in Canada. There are nearly 100 interesting case studies in the following different categories:

• Publishing Houses and the Periodical Press

• People in Publishing

• Authors and Their Publishers

• The Business of Publishing

• Production (Design, Illustration, Technology)

• Publishing and Canadian Identity

It really is a must-visit site if you’re interested in the world of publishing in Canada. My own editor Douglas Gibson figures prominently, and there are even scans of letters he’s sent off to one of his treasured authors, Alice Munro and a letter he received from another of his authors, the late, great Robertson Davies, one of my literary heroes. Doug had mentioned to me that he’d donated his papers to McMaster and clearly they are being put to good use.

In my travels within the site, I even found an article about Helen Humphreys by Kiley Kapuscinski that discusses her travails finding a publisher. Stephen Leacock’s self-published but very successful 1910 book, Literary Lapses, was cited as an historical example of good works being overlooked by the publishers of the day. Then, I was quite surprised to find that I am actually mentioned in the article as a modern example of a writer who had faced challenges breaking in to the publishing world. I had no idea. Very cool. Here’s the brief excerpt:

For writers, it’s not always easy to know how well your book is selling.  Yes, you’ll eventually get sales reports from the publisher and ultimately a royalty cheque or two.  But in the interim, beyond tracking how many copies are sitting on the shelves in the many Chapters/Indigo stores across the country (which you can actually do if you have plenty of time on your hands), it’s difficult to get a handle on sales.  When I was in Ottawa, another author told me about BookManager.  As far as I can tell, it’s a website that tracks independent bookstores‘ demand for books.  It also ranks books based on orders from the Independents.  At any rate, I’m given to understand that if you get the red designation “High Demand,” all is well.  There are at least a few hundred thousands books captured in this system so coming in at number 952 nearly three months after publication seems like good news to me.  Just for comparison, Giller winner Joseph Boyden’s Through Black Spruce sits at number 6 while Alice Munro’s new book, Alice Munro’s Best: Selected Short Stories, published in late October comes in at number 691.  What does it all mean?  I have no idea but I’m feeling good about cracking the top 1,000.