Photo by Tim Fallis

Ian Ferguson is wonderful writer and a very funny guy. I read his Leacock-winning book, Village of the Small Houses, some years ago, so I was thrilled to meet Ian at last year’s Leacock Luncheon. What a great guy. We’ve maintained contact via email and Facebook ever since. In a cool twist, Ian’s book and TBLP later shared 10th place on the CBC Book Club’s top Ten Books to Make You Laugh list last April.

When it came time to invite prominent Canadians to read the manuscript of The High Road and provide what they call in the publishing biz, “blurbs,” I thought of approaching Ian. He could not have been more gracious and readily agreed.

I was a little nervous when I knew the manuscript was in his hands. But he knocked me for a loop earlier this week when his official “blurb” arrived. Here’s what he wrote:

• “In a perfect world, the federal government would establish a Ministry of Humour and put Terry Fallis in charge of that department.  THE HIGH ROAD is brilliantly written and hysterically funny. You will laugh out loud on almost every single page.”

Ian Ferguson author of VILLAGE OF THE SMALL HOUSES

I had to sit down after reading Ian’s kind words. I’m humbled and honoured that he would be so supportive. Here’s a shot of Ian and me at last year’s Leacock Luncheon in Orillia.

Vote early and vote often. But seriously, if you have a moment, head over to Canada Also Reads and register your vote. The polls are open until March 12th at 1:00. The winner will be announced on Monday, March 15th. Consider this to be part of your obligation as Canadians! Canlit needs your support!

As I’ve noted several times already in this space, Robertson Davies is one of my literary heroes. His novels were among the first to show me that literary prose, compelling stories, and deeply developed characters could coexist with a heaping helping of humour. John Irving also helped enlighten me on that score. That Robertson Davies and I appear together on the list of Leacock Medal Winners (he in 1955, for Leaven of Malice) still sends a tremor through me when I think of it. In December 1995, shortly after his death, my wife and I attended Robertson Davies’ memorial service in Convocation Hall at the University of Toronto. It was the first time I’d ever laid eyes on Douglas Gibson, Davies’ longtime editor, and miraculously, now mine. Last night, some 14 years later, my wife and I attended Robertson Davies: The Peeled I at the wonderful Hart House Theatre, just across the quadrangle from Convocation Hall. It was a one man show featuring Reed Needles as RD. He bears a striking resemblance to the great writer. We thoroughly enjoyed the play. It only runs for a couple days, so if you’re a Davies fan and are anywhere near Toronto, check it out.

Here’s the photo of Robertson Davies that hangs in our third floor library, supervising my writing. Whenever I hit a dry spell or am struggling with a sentence, I look up at this photo for inspiration. Then I get back at it…

So, here are my ten rules, such as they are:

• Very few rules apply to all writers. Every writer is different, so only observe these rules if they happen to work for you. If they don’t, make up your own rules to break.

• Create a quiet, comfortable space for writing. Then, write there often. If that’s too regimented, carry a notebook and try writing wherever you find yourself, whether it’s Starbucks or the JiffyLube when your car is up on the hoist. As well, write in stretches of at least four hours so that you can get into a groove and not feel rushed or forced by the clock. If you don’t have four hours anywhere in your life, try writing in short snippets and see if that works.

• I’m an “outliner” so I favour investing the time up front to map out a story in considerable detail. For writers with a fulltime job and not enough spare time for writing (like me!), I find you can maximize efficiency if you know what happens and where you’re going in each chapter. If that doesn’t work, try starting with a blank page and follow where your story leads you. This seems to work for many writers, though it’s a foreign concept to me.

• Read. I don’t know many great writers who aren’t also great readers. Although I do know lots of readers who aren’t writers. What was my point again? Oh yes. Reading is professional development for writers. In other careers, people go to conferences and take courses. Writers read. (Having said that, I’ve spoken at a few writers conferences and will be teaching a course in the fall, so what do I know?)

• Worry less about finding an agent or publisher, and more about your manuscript. (I know, I know, easy for me to say.) But most agents will tell you it’s really all about writing. Landing an agent and/or publisher will be easier if your manuscript is as good as it can be.

• When your manuscript is finished, for the first time, let it sit for a couple of weeks before you return to it. Time inflicts distance and perspective, which almost always inform and aid editing.

• Read your writing aloud. You’d be surprised how often I rearrange a sentence or choose a different word after hearing my writing, rather just looking at it. It was one of the benefits of podcasting my first novel before it was ever a book.

• Print out your manuscript-in-progress once in a while. It’s easier to read it, and the growing stack of paper provides a sense of progress and satisfaction that can help you through the home stretch.

• Visualize the scenes you’re writing as if you’re a movie director. This will add realism to your words, and help you decide what to describe and what not to. If it helps, go ahead and cast major stars as the main characters so you can see them in your mind.

• I know this seems like a drag and may appear to contradict Rule #5 above, but when your book is written, commit as much effort to promoting your book as you did to writing it. Build an audience by using the online tools to which we all now have ready access, like podcasting and blogging. Offer to do readings at libraries and book clubs. Enter your book in competitions and awards. Sit on panels. Get out there, even if it’s uncomfortable. Publishers like it when you do this because you sell more books. And, you get better at it with practice. You might even come to enjoy it. I know I have.

On Monday, March 1, the essays defending each of the Canada Also Reads finalists begin. TBLP is being defended by singer/songwriter and all-round great guy, Andy Maize of the Skydiggers. I’m not sure which day his essay will run but you can bet it will commemorated on this humble blog.

Okay, so now it’s really official. The cover is out there on the M&S website and in online retailers. As well, I’ve just received the “proofs” of the novel, as it will appear in book form. A few copies of the “proofs” will be bound and sent to our list of reviewers from whom we hope to secure positive “blurbs.” So the publishing process continues apace. My next task is to have a new author photo taken by my twin brother Tim, who is quite accomplished with a camera, and send it in to M&S. I take terrible photos so I’m not looking forward to this but it has to be done.